Family Tree

By Barbara Delinsky
Binding:Mass Market Paperback
Publisher:Anchor, (6/24/2008)
Language:English



Average Rating:
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4.00 out of 5 (1 Clubie's ratings)


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An unforgettable novel about family, race, and the choices people make in times of crisis.

Dana Clarke has just given birth to her first child. The little girl is lovely but no one can help noticing how little she resembles her parents. Dana's husband, among others, suspects that she may have had an affair. In order to put the rumors and speculation to rest, Dana has to delve deep into her past and her husband's heritage to unearth some uncomfortable secrets. Can her marriage survive what she finds out?
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Shan's thoughts on "Family Tree"
updated on:5/25/2009



Very Unleashable


"Family Tree"
By Barbara Delinsky

Average Rating:
Very Unleashable
4.00 out of 5 (1 Clubie's ratings)


December's BB Book Club Book Pick:

Florence Gordon
Florence Gordon

By Brian Morton

 
 
 General reading guide discussion questions to be used with ANY book your book club or reading group might be discussing.
 
 

1. What were your initial theories about Lizzie's ancestors? Did you ever doubt Dana's fidelity?

2. How would you have reacted if you had experienced Dana and Hugh's situation? How would your circle of friends and coworkers have reacted?

3. Discuss the parallel stories woven throughout the novel, including Dana's painful reunion with her father, Ellie Jo's secret regarding her husband's other marriage, and Crystal's paternity case against the senator. What are the common threads within these family secrets? What ultimately brings healing to some of the parties involved?

4. Crystal's dilemma raises timely questions about the obligations of men who father children out of wedlock. Are Senator Hutchinson's obligations to Jay the same as Jack Kettyle's obligations to Dana? Should men always be financially obligated to their children, regardless of the circumstances? If so, what should those financial obligations be?

5. Why is it so difficult for Dana to feel anything but anger toward her father? In your opinion, did he do anything wrong? How does she cope with the shifting image of her mother?

6. What is the root of Hugh's reaction in the novel's initial chapters? Is he a racist? Is he torn between loyalties? Does he trust his wife?

7. Is your own ancestry homogenous? If not, what interesting or ironic histories are present in your ancestry? Do you believe it's important to maintain homogeneity in a family tree? If you were to adopt a child, what would be your main criterion in selecting him or her?

8. Discuss the many differences between Dana's and Hugh's families. What drew Dana and Hugh to each other? To what extent is financial power a factor in shaping their attitudes toward the world? What common ground existed despite their tremendous differences in background?

9. What accounts for the universal fascination with genealogy? Should a person be lauded for the accomplishments of an ancestor, or snubbed for the misdeeds of one? Is genealogy a predictor?

10. In chapter 23, Eaton voices his frustration by shouting questions at the portraits of his parents. How might they have responded to his questions had they lived to see the arrival of Lizzie?

11. What should Dana and Hugh learn from the experience of Ali's parents? What would the ideal school for Lizzie be like? What does Ali's story indicate about integration?

12. Recent developments in DNA mapping have made it possible to discover not only lineage (as was the case for the biracial descendents of Thomas Jefferson) but also many general geographic details about one's ancestry. If you were to undergo such testing, what revelations would please you? What revelations would disappoint you?

13. Discuss Eaton's “reunion” with Saundra Belisle. Were their youths marked by any similarities, despite the fact that they lived in distinctly different worlds?

14. What role does location play in Family Tree? Would the story have unfolded differently within the aristocracy of the South, or in a West Coast city?

15. What does Corinne's story reveal about the false selves we sometimes construct? Who are the most authentic people you know? Who in your life would stand by you after a revelation like Corinne's?

16. Does Eaton's history demonstrate the ways in which racism has waned in recent generations, or the ways in which very little has changed?

17. Consider whether the issues at the center of Family Tree manifest themselves in your life. Is your neighborhood racially integrated? How many people of color hold executive positions at the top companies in your community? Is there a gulf between the ideal and the reality of a color-blind society in twenty-first century America?

Clubie Submitted Discussion Questions
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From Publishers Weekly
When Dana and Hugh Clarke's baby is born into their wealthy, white New England seaside community, the baby's unmistakably African-American features puzzle her thoroughly Anglo-looking parents. Hugh's family pedigree extends back to the Mayflower, and his historian father has made a career of tracing the esteemed Clarke family genealogy, which does not include African-Americans. Dana's mother died when Dana was a child, and Dana never knew her father: she matter-of-factly figures that baby Lizzie's features must hark back to her little-known past. Hugh, a lawyer who has always passionately defended his minority clients, finds his liberal beliefs don't run very deep and demands a paternity test to rule out the possibility of infidelity. By the time the Clarkes have uncovered the tangled roots of their family trees, more than one skeleton has been unearthed, and the couple's relationship—not to mention their family loyalty—has been severely tested. Delinsky (Looking for Peyton Place) smoothly challenges characters and readers alike to confront their hidden hypocrisies. Although the dialogue about race at times seems staged and rarely delves beyond a surface level, and although near-perfect Dana and her knitting circle are too idealized to be believable, Delinsky gets the political and personal dynamics right. (Feb.) 
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. --This text refers to the Hardcover edition. 

From Booklist
The old and illustrious New England Clarke family has a new member, and she is not what the family envisioned. Elizabeth Clarke, a beautiful daughter born to Hugh and Dana, possesses definite African American traits, leaving the parents puzzled and the extended Clarke family scandalized. Hugh's parents believed that he was marrying down when he chose Dana, who has no idea who her father is and no desire to find out. Now, on what should be a joyous occasion, the birth of their first child, Hugh and Dana are struggling with issues of race, family, and trust. As Dana's family history and fidelity are questioned, Hugh, who thought he was above racism, now wants his wife to find out the truth about her heritage. While Dana searches for her father and Hugh's family pressures him to find out for certain if the child is indeed his, Hugh must confront the truth about himself, his family, and their racist attitude while also trying to reconcile his own attitude toward his daughter. Delinsky often writes with insight about complex family matters and here adds thought-provoking concerns about race in America to the mix in a novel that will stir debate and inspire self-examination. Patty Engelmann
Copyright © American Library Association. All rights reserved --This text refers to the Hardcover edition. 

Review
“The old and illustrious New England Clarke family has a new member and she is not what the family envisioned. Elizabeth Clarke, a beautiful daughter born to Hugh and Dana, possesses definite African-American traits, leaving the parents puzzled and the extended Clarke family scandalized. Now, on what should be a joyous occasion, the birth of their first child, Hugh and Dana are struggling with issues of race, family, and trust. Delinsky often writes with insight about complex family matters, and here adds thought-provoking concerns about race in America to the mix in a novel that will stir debate and inspire self-examination.”
Booklist 

“Delinsky’s family saga explores how a white, upper-middle-class New England couple would react if the wife gave birth to an African-American baby. Delinsky vigorously takes on thorny racial assumptions and admirably allows her characters to acknowledge and correct their biases. Fail-safe delivery of an issues-packed story perfect for reading groups.”
Kirkus Reviews

“When Dana and Hugh Clarke’s baby is born into their wealthy, white New England community, the baby’s unmistakably African-American features puzzle her thoroughly Anglo-looking parents. By the time the Clarkes have uncovered the tangled roots of their family trees, more than one skeleton has been unearthed, and the couple’s relationship – not to mention their family loyalty – has been severely tested. Delinsky smoothly challenges characters and readers alike to confront their hidden hypocrisies [while getting] the political and personal dynamics just right.”
Publishers Weekly

“Loyal readers who have followed Barbara Delinsky’s writing for many years will not be surprised at the depth of characterization in FAMILY TREE. Delinsky’s latest is well suited for fans of the serious themed books ... --This text refers to the Kindle Edition edition. 

Review
“Warm, rich, textured and impossible to put down.” 
—Nora Roberts

“Delinsky delves deeper into the human heart and spirit with each new novel.”
Cincinnati Inquirer

“Engrossing reading.” 
People

“A pleasure…. Thought-provoking.” 
Tampa Tribune 


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Excerpt. © Reprinted by permission. All rights reserved.
Chapter 1


Something woke her mid–dream. She didn't know whether it was the baby kicking, a gust of sea air tumbling in over the sill, surf breaking on the rocks, or even her mother's voice, liquid in the waves, but as she lay there open–eyed in bed in the dark, the dream remained vivid. It was an old dream, and no less embarrassing to her for knowing the script. She was out in public, for all the world to see, lacking a vital piece of clothing. In this instance, it was her blouse. She had left home without it and now stood on the steps of her high school—her high school—wearing only a bra, and an old one at that. It didn’t matter that she was sixteen years past graduation and knew none of the people on the steps. She was exposed and thoroughly mortified. And then—this was a first—there was her mother–in–law, standing off to the side, wearing a look of dismay and carrying—bizarre—the blouse.

Dana might have laughed at the absurdity of it, if, at that very moment, something else hadn’t diverted her thoughts. It was the sudden rush of fluid between her legs, like nothing she had ever felt before.

Afraid to move, she whispered her husband’s name. When he didn’t reply, she reached out, shook his arm, and said in full voice, “Hugh?”

He managed a gut–low “Mm?”

“We have to get up.”

She felt him turn and stretch.

“My water just broke.”

He sat up with a start. Leaning over her, his deep voice higher than normal, he asked, “Are you sure?”

“It keeps coming. But I’m not due for two weeks.”

“That's okay,” he reassured her, “that’s okay. The baby is seven–plus pounds—right in the middle of the full–term range. What time is it?”

“One–ten.”

“Don’t move. I’ll get towels.” He rolled away and off the bed.

She obeyed him, partly because Hugh had studied every aspect of childbirth and knew what to do, and partly to avoid spreading the mess. As soon as he returned, though, she supported her belly and pushed herself up. Squinting against the sudden light of the lamp, she took one of the towels, slipped it between her legs, and shuffled into the bathroom.

Hugh appeared seconds later, wide–eyed and pale in the vanity lights. “What do you see?” he asked.

“No blood. But it’s definitely the baby and not me.”

“Do you feel anything?”

“Like terror?” She was dead serious. As prepared as they were—they had read dozens of books, talked with innumerable friends, grilled the doctor and her partners and her nurse–practitioner and the hospital personnel during a pre–admission tour—the reality of the moment was something else. With childbirth suddenly and irrevocably imminent, Dana was scared.

“Like contractions,” Hugh replied dryly.

“No. Just a funny feeling. Maybe a vague tightening.”

“What does ‘vague’ mean?”

“Subtle.”

“Is it a contraction?”

“I don't know.”

“Does it come and go?”

“I don’t know, Hugh. Really. I just woke up and then there was a gush—” She broke off, feeling something. “A cramp.” She held her breath, let it out, met his eyes. “Very mild.”

“Cramp or contraction?”

“Contraction,” she decided, starting to tremble. They had waited so long for this. They were as ready as they would ever be.

“Are you okay while I call the doctor?” he asked.

She nodded, knowing that if she hadn’t he would have brought the phone into the bathroom. But she wasn’t helpless. As doting as Hugh had been lately, she was an independent sort, and by design. She knew what it was to be wholly dependent on someone and then have her taken away. It didn’t get much worse.

So, while he phoned the doctor, she fit her big belly into her newest, largest warm–up suit, now lined with a pad from her post-delivery stash to catch amniotic fluid that continued to leak, and went down the hall to the baby’s room. She had barely turned on the light when he called.

“Dee?”

“In here!”

Buttoning jeans, he appeared at the door. His dark hair was mussed, his eyes concerned. “"If those pains are less than ten minutes apart, we’re supposed to head to the hospital. Are you okay?”

She nodded. “Just want a last look.”

“It’s perfect, honey,” he said as he stretched into an old navy tee shirt. “All set?”

“I don't think they’re less than ten minutes apart.”

“They will be by the time we’re halfway there.”

“This is our first,” she argued. “First babies take longer.”

“That may be the norm, but every norm has exceptions. Indulge me on this, please?”

Taking his hand, she kissed his palm and pressed it to her neck. She needed another minute.

She felt safe here, sheltered, happy. Of all the nurseries she had decorated for clients, this was her best—four walls of a panoramic meadow, laced with flowers, tall grasses, sun–tipped trees. Everything was white, soft orange, and green, myriad shades of each highlighted with a splotch of blue in a flower or the sky. The feeling was one of a perfect world, gentle, harmonious, and safe.

Self–sufficient she might be, but she had dreamed of a world like this from the moment she had dared to dream again.

Hugh had grown up in a world like this. His childhood had been sheltered, his adolescence rich. His family had come to America on the Mayflower and been prominent players ever since. Four centuries of success had bred stability. Hugh might downplay the connection, but he was a direct beneficiary of it.

“Your parents expected pastel balloons on the wall,” she remarked, releasing his hand. “I’m afraid I've disappointed them.”

“Not you,” he answered, “we, but it’s a moot point. This isn’t my parents’ baby.” He made for the door. “I need shoes.”

Moving aside knitting needles that held the top half of a moss green sleepsack, Dana carefully lowered herself into the Boston rocker. She had dragged it down from the attic, where Hugh hid most of his heirloom pieces, and while she had rescued others, now dispersed through the house, this was her favorite. Purchased in the 1840s by his great–great–grandfather, the eventual Civil War General, it had a spindle back and three–section rolled seat that was strikingly comfortable for something so old. Months ago, even before they had put the meadow on the walls, Dana had sanded the rocker’s chipped paint and restored it to gleaming perfection. And Hugh had let her. He knew that she valued family history all the more for having lived without it.

That said, everything else was new, a family history that began here. The crib and its matching dresser were imported, but the rest, from the changing pad on top, to the hand–painted fabric framing the windows, to the mural, were custom done by her roster of artists. That roster, which included top–notch painters, carpenters, carpet and window people, also included her grandmother and herself. There was a throw over one end of the crib, made by her grandmother and mirroring the meadow mural; a cashmere rabbit that Dana had knitted in every shade of orange; a bunting, two sweaters, numerous hats, and a stack of carriage blankets—and that didn’t count the winter wool bunting in progress, which was mounded in a wicker basket at the foot of her chair, or the sleepsack she held in her hand. They had definitely gone overboard.

Rocking slowly, she smiled as she remembered what had been here eight months before. Her pregnancy had just been confirmed, when she had come home from work to find the room blanketed with tulips. Purple, yellow, white—all were fresh enough to last for days. Hugh had planned this surprise with sheer pleasure, and Dana believed it had set the tone.

There was magic in this room. There was warmth and love. There was security. Their baby would be happy here, she knew it would.

Opening a hand on her stomach, she caressed the mound that was absurdly large in proportion to the rest of her. She couldn’t feel the baby move—the poor little thing didn’t have room to do much more than wiggle a finger or toe—but Dana felt the tightening of muscles that would push her child into the world.

Breathe slowly…Hugh’s soothing baritone came back from their Lamaze classes. She was still breathing deeply well after the end of what was definitely another contraction when the slap of flip–flops announced his return.

She grinned. “I'm picturing the baby in this room.”

But he was observant to a fault. “That was another contraction, wasn’t it? Are you timing them?”

“Not yet. They're too far apart. I’m trying to distract myself by thinking happy thoughts. Remember the first time I saw your house?”

It was the right question. Smiling, he leaned against the doorjamb. “Sure do. You were wearing neon green.”

“It wasn’t neon, it was lime, and you didn’t know what the piece was.”

“I knew what it was. I just didn’t know what it was called.”

“It was called a sweater.”

His eyes held hers. “Laugh if you want—you do every time—-but that sweater was more angular and asymmetrical than anything I’d ever seen.”

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Barbara Delinsky is a New York Times bestselling author with over thirty million copies of her books in print. She lives with her family in New England.


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